![]() Patterns create rhythm, the lyric or syncopated visual effect that helps carry the viewer, and the artist’s idea, throughout the work. ![]() The systematic arrangement of a repeated shapes or forms creates pattern. Repetition is the use of two or more like elements or forms within a composition. There are three basic forms of visual balance: This is visually the most stable, but lacks any sense of movement. ![]() Lastly, the lower right example places the white shape directly in the middle on a horizontal axis. The bottom middle composition is weighted decidedly toward the bottom right corner, but again, the diagonal orientation of the white shape leaves some sense of movement. The overall sense here is restful, heavy and without any dynamic character. The lower left example is perhaps the least dynamic: the white shape is resting at the bottom, mimicking the horizontal bottom edge of the ground. This arrangement works if you want to convey a feeling of loftiness or simply direct the viewer’s eyes to the top of the composition. On the top right, the white shape is nearly off the picture plane altogether, leaving most of the remaining area visually empty. The top middle example is weighted more toward the bottom, but still maintains a sense that the white shape is floating. The example on the top left is weighted toward the top, and the diagonal orientation of the white shape gives the whole area a sense of movement. The following page explore important principles in composition. Some artists today like to bend or ignore these rules and by doing so are experimenting with different forms of expression. A good knowledge of composition is essential in producing good artwork. The center of interest will be strong and the viewer will not look away, instead, they will be drawn into the work. The artist who works with the principles of good composition will create a more interesting piece it will be arranged to show a pleasing rhythm and movement. In any work of art there is a thought process for the arrangement and use of the elements of design. This is sometimes referred to as visual impact. The principles of design help you to carefully plan and organize the elements of art so that you will hold interest and command attention. We might also say that too much unity without variety is boring and too much variation without unity is chaotic. For example, when we say a painting has “unity” we are making a value judgment. Using a chemistry analogy, the principles are the ways the elements “stick together” to make a “chemical” (in our case, an image).Īnother way to think about these design principles is that they express a value judgment about a composition. The principles help govern what might occur when particular elements are arranged in a particular way. The principles are based on sensory responses to visual input: elements APPEAR to have visual weight, movement, etc. The first way to think about a principle is that it is something that can be repeatedly and dependably done with elements to produce some sort of visual effect in a composition. Incorporating the principles into your artistic vocabulary not only allows you to objectively describe artworks you may not understand, but contributes in the search for their meaning. ![]() Yet all of these rely on basic structural principles that, like the elements we’ve been studying, combine to give voice to artistic expression. Visual art manifests itself through media, ideas, themes and sheer creative imagination.
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